A young journalist goes to Venice, Italy, to interview a famous violinist, who tells the story of his parents' incarceration by the Nazis, and explains why they can no longer listen to the music of Mozart.
Drawing on a series of recently conducted classroom workshops and live interviews with the authors, this inspiring book examines five popular children’s authors: Philip Pullman, J.K. Rowling, Michael Morpurgo, Anthony Browne, Jacqueline Wilson and the genre of comic books. Four genres are explored in detail: the picture book, written narrative, film narrative and comic books. Teaching Children’s Literature provides detailed literary knowledge about the chosen authors and genres alongside clear, structured guidelines and creative ideas to help teachers, student teachers and classroom assistants make some immensely popular children’s books come alive in the classroom. This accessible and inspiring text for teachers, parents, student teachers and students of children’s literature: includes a variety of discussion, drama, writing and drawing activities, with ideas for Social and Emotional Aspects of Learning which can be used to plan a unit of work or series of interrelated lessons for pupils aged between seven and fourteen years provides detailed, literary knowledge about the authors, their works, language, plot and characterisation, including exclusive transcripts of interviews with three contemporary children’s book authors shows teachers how pupils can be encouraged to become more critical and knowledgeable about screen, picture and comic narratives as well as written narratives demonstrates how reading stories can help connect pupils and teachers to a broader pedagogy in ways which promote deeper thinking, learning and engagement. This lively, informative and practical book will enable teachers, students and classroom assistants to plan inspiring and enjoyable lessons which will encourage them to teach children’s literature in an entirely different and inventive way.
'Which writer today is not a writer of the Holocaust?' asked the late Imre Kertész, Hungarian survivor and novelist, in his Nobel acceptance speech: 'one does not have to choose the Holocaust as one's subject to detect the broken voice that has dominated modern European art for decades'. Robert Eaglestone attends to this broken voice in literature in order to explore the meaning of the Holocaust in the contemporary world, arguing, again following Kertész, that the Holocaust will 'remain through culture, which is really the vessel of memory'. Drawing on the thought of Hannah Arendt, Eaglestone identifies and develops five concepts—the public secret, evil, stasis, disorientalism, and kitsch—in a range of texts by significant writers (including Kazuo Ishiguro, Jonathan Littell, Imre Kertész, W. G. Sebald, and Joseph Conrad) as well as in work by victims and perpetrators of the Holocaust and of atrocities in Africa. He explores the interweaving of complicity, responsibility, temporality, and the often problematic powers of narrative which make up some part of the legacy of the Holocaust.
When Alice falls down a mysterious rabbit hole she stumbles upon a magical fantasy world where anything can happen . . . Take tea with the Mad Hatter, meet the White Rabbit, grin with the Cheshire Cat, and play croquet with the Queen of Hearts, but whatever you do . . . don't lose your head! Lewis Carroll's classic characters spring to life in an enchanting show for the whole family, bursting with music, madness and mystery. Simon Reade's adaptation of Lewis Carroll's much-loved fantasy classic Alice's Adventures in Wonderland is a witty and brilliantly inventive re-working, which won the TMA Award for Best Show for Young People.
This is an ambitious attempt to separate what is actually known (and can be known) about Mozart from the many myths and legends that have grown up about his life and character, notably the circumstances of his death and his alleged immaturity, drinking, extravagance, womanizing, unreliability, and professional failure.
Release on 2012-09-24 | by Michael Morpurgo,Simon Reade
Author: Michael Morpurgo,Simon Reade
Pubpsher: Oberon Books
Three war plays by Michael Morpurgo, author of War Horse, powerfully dramatised by Simon Reade. Private Peaceful relives the short life of Tommo growing up in rural Devon before fighting the battles and facing the injustices of the First World War. In Toro! Toro! young Antonito liberates his favourite bull from the ritualised killing of the bullfight as he tries to escape the Spanish Civil War. In The Mozart Question Paolo Levi discovers the astonishing truth about his parents’ flight to Venice from the gas chambers of the Second World War. Each play is accompanied by an introduction from Michael Morpurgo.
A centuries-old mystery. An “accidental” death. A conspiracy that may end in murder. Former British Special Air Service officer Ben Hope is running for his life. Enlisted by Leigh Llewellyn—the beautiful, world-famous opera star and Ben’s first love—to investigate her brother, Oliver’s, mysterious death, Ben finds himself caught up in a puzzle dating back to the 1700s. At the time of his death, Oliver was working on a new book about Mozart. Though the official report states that Oliver died in a tragic accident, the facts don’t add up. But as Ben and Leigh dig deeper, they find that Oliver’s research reveals that Mozart, a notable Freemason, may have been killed by a shadowy and powerful splinter group of the organization. The only proof lies in a missing letter, believed to have been written by Mozart himself. When Leigh and Ben receive a video documenting a ritual sacrifice performed by hooded men, they realize that the sect is still in existence today and will stop at nothing to keep its secrets. From the dreaming spires of Oxford and Venice’s labyrinthine canals to the majestic architecture of Vienna, Ben and Leigh must race across Europe to uncover the truth behind the Mozart conspiracy before they become its next victims. In the tradition of Robert Ludlum and Dan Brown, Scott Mariani’s The Mozart Conspiracy is an electrifying thriller and the start of an exciting new series.
The family into which Mozart was born has never received a rigorous contextual study which does justice to the complexity of its relationships or to its interactions with colleagues, friends, and neighbours in Mozarts native city, Salzburg. Most biographies of Mozart have undervalued the many passages in the rich family correspondence which do not bear directly on him. This book draws on the neglected material, most of which has never been translated into English. At the heart of the workis a detailed examination of the letters, supplemented by little-known archival material from the papers of the Berchtold family, into which Mozarts sister Nannerl married. Additional information concerning Salzburg's local history, especially the working conditions at court and the provision for dependants of court employees, enables the hopes, expectations, and fears of the Mozarts to be located in the context of the social conditions there. As well as providing a sympathetic account of theother members of the family, all of whom were profoundly affected by the experience of sharing their lives with Mozart, this approach gives new significance to the events of Mozart's life; not only are they set against the background of his familys expectations of him, but the ways in which the source material has to be used for this purpose necessarily involves fundamental improvements in its interpretation. Ruth Halliwell challenges most previous views of the characters in Mozart's family (especially of his father, Leopold), and of the relationships within it. She also introduces a wealth of characters from the Mozarts's circle in Salzburg, from chambermaids to princes, and demonstrates the relevance of the gossip stories the Mozarts told about them to the larger outlook of the members of the family. In an important final section, Halliwell traces the roles of Nannerl and Mozart's wife Constanze in using, controlling, and handing on the biographical source material after Mozarts death. She discusses their dealings with publishers such as Breitkopf and Hartel, and with the authors of the earliest biographies of Mozart. This complex topic here receives an account which not only illuminates the characters of both women and the relations between them, but also addresses the question of how myths were able to creep into the Mozartian biography at so early a stage and take tenacious hold.
Revered author Michael Morpurgo evokes the post-war Britain of his childhood in this unflinching and deeply poignant tale of the physical and mental scars of war. From a young age, Michael was both fascinated by and afraid of his grandfather. Grandpa’s ship was torpedoed during the Second World War, leaving him with terrible burns. Every time he came to stay, Michael was warned by his mother that he must not stare, he must not make too much noise, he must not ask Grandpa any questions about his past. As he grows older, Michael stays with his grandfather during the summer holidays and learns the story behind Grandpa’s injuries, finally getting to know the real man behind the solemn figure from his childhood. Michael can see beyond the burns, and this gives him the power to begin healing scars that have divided his family for so long.